Glasgow 2017: “You learn, you grow, you emerge”: Hope Dickson Leach on The Levelling
The Levelling (2017) is a film constructed around mystery, yet Hope Dickson Leach’s feature debut uses this as a device to accentuate the […]
Month: February 2017
Glasgow 2017: The Radiant and Haunting Past: Rachel Lambert on ‘In the Radiant City’
Rachel Lambert’s directorial feature debut In the Radiant City (2016) is a poetic blend of atmosphere and emotion. Its movement between the past […]
Filmmaker as Optimist: Aram Rappaport on the Loneliness and Self-Doubt of The Crash
The contemporary world continues to awake to the threat of cyber-attacks, the recent incident during the U.S election evidencing the significant threat to […]
The Lyricism of Chinese Whispers: Unifying Roald Dahl’s Revolting Rhymes in Brexit Britain
“I thought about adults. I wondered if that was true: if they were all really children wrapped in adult bodies…” – Neil Gaiman, […]
The Vengeful Call of the Female Loner – Alice Lowe the Making of Prevenge
While pregnancy is typically seen as a cause for celebration, here at FrightFest, where we lean towards ‘The Dark Heart of Cinema’, we […]
Visceral Filmmaking: Ralitza Petrova on Godless and Approaching Film as an Artist
Cinema is still only a youthful art form, and one some filmmakers will describe as an amalgamation of the other artistic mediums. To […]