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Month: March 2017

“Horror is as close to naturalism as I get”: Nicolas Pesce on The Eyes of My Mother

March 27, 2017 Paul Risker 0

Nicolas Pesce’s directorial feature debut The Eyes of My Mother (2016) is a visually striking film. The monochrome shades mirror the dark story […]

Politicised by Seismic Shifts: Anna Sandilands and Ewan McNicol on Uncertain

March 23, 2017 Paul Risker 0

The relationship between man and nature is a less than an harmonious relationship, the future desired by man in conflict with the course […]

Nihilistic Vengeance With an Upside: Sean Brosnan on his Directorial Feature Debut My Father Die

March 23, 2017 Paul Risker 0

Shots of an Alligator open Sean Brosnan’s feature directorial debut My Father Die (2016). The rage associated with the predatory reptile is fitting […]

“You have got some balls to make this”: Gary Stretch on the Brave Vision of My Father Die

March 23, 2017 Paul Risker 0

Shots of an Alligator open Sean Brosnan’s feature directorial debut My Father Die (2016). The rage associated with the predatory reptile is fitting for a […]

Exploring Perception and the Root of Weirdness: Olivier Assayas on Personal Shopper

March 23, 2017 Paul Risker 0

Olivier Assayas’ ghost story intertwined with the day to day of personal shopper Maureen Cartwright (Kristen Stewart) intrigues through the contradiction of the enthralling […]

The Gauntlet of Emotion: Ben Parker on his Claustrophobic Feature Debut The Chamber

March 23, 2017 Paul Risker 0

FrightFest has always tried to instil an emphasis on family – individuals connected by a shared affection for genre cinema. Writer-director Ben Parker’s […]

Confronting Media Representation: Ossama Mohammed on Silvered Water, Syria Self-Portrait

March 23, 2017 Paul Risker 0

Silvered Water, Syria Self-Portrait offers the audience an intimate perspective of the war torn city of Homs. Wiam Bedirxan and Ossama Mohammed have […]

No Longer the Mosquito: Director Stephen Kijak on the Revelatory Experience of We Are X

March 23, 2017 Paul Risker 0

Stephen Kijak’s documentary We Are X (2016) offers an up-close portrait of the iconic Japanese rock band X Japan. His preceding music documentaries […]

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