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Articles by Paul Risker

“The stench of truth”: Actor Marco D’Amore on Gomorrah as an Anthropological Document

March 23, 2018 Paul Risker 0

Storytelling has the capacity to inform and shape our perspective of a foreign culture, and the mafia or Camorra for many is intrinsically […]

Sin, Trump and American Bloodlines: Director Ted Geoghegan on his Political Allegory Mohawk

March 18, 2018 Paul Risker 0

“While remaining in genre cinema, I want to try to come up with movies that are unexpected” says director Ted Geoghegan. His sophomore […]

“…it’s not like a kiss, it is a cut”: Director Q on Garbage and his Return to “Pedestrian Filmmaking”

March 9, 2018 Paul Risker 0

The ebb and flow of his own personal filmmaking journey was not far from Q’s mind as he arrived at the 68th Berlinale […]

“A pretty robust to a financially dying business”: Producer Travis Stevens on Genre, Independent Film and 68 Kill

January 27, 2018 Paul Risker 0

“With every decision you are making as a storyteller it’s to communicate something” says independent film producer Travis Stevens. The founder and CEO […]

Faith in the ‘Movie Angels’: Director Domenica Cameron-Scorsese on Almost Paris

January 26, 2018 Paul Risker 0

Directing her first full-length theatrical production, Caryl Churchill’s A Number (2002) whilst she was in postproduction on her feature film debut Almost Paris […]

Exploring the Psychic Prison: Matthew Metcalfe on Understanding the World of The Free Man

April 26, 2017 Paul Risker 0

Olympic freestyle skier Jossi Wells and extreme sports performance artists The Flying Frenchies take us on a journey into the void. For writer-producer […]

“Horror is as close to naturalism as I get”: Nicolas Pesce on The Eyes of My Mother

March 27, 2017 Paul Risker 0

Nicolas Pesce’s directorial feature debut The Eyes of My Mother (2016) is a visually striking film. The monochrome shades mirror the dark story […]

Politicised by Seismic Shifts: Anna Sandilands and Ewan McNicol on Uncertain

March 23, 2017 Paul Risker 0

The relationship between man and nature is a less than an harmonious relationship, the future desired by man in conflict with the course […]

Nihilistic Vengeance With an Upside: Sean Brosnan on his Directorial Feature Debut My Father Die

March 23, 2017 Paul Risker 0

Shots of an Alligator open Sean Brosnan’s feature directorial debut My Father Die (2016). The rage associated with the predatory reptile is fitting […]

“You have got some balls to make this”: Gary Stretch on the Brave Vision of My Father Die

March 23, 2017 Paul Risker 0

Shots of an Alligator open Sean Brosnan’s feature directorial debut My Father Die (2016). The rage associated with the predatory reptile is fitting for a […]

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