“The stench of truth”: Actor Marco D’Amore on Gomorrah as an Anthropological Document
Storytelling has the capacity to inform and shape our perspective of a foreign culture, and the mafia or Camorra for many is intrinsically […]
Articles by Paul Risker
Sin, Trump and American Bloodlines: Director Ted Geoghegan on his Political Allegory Mohawk
“While remaining in genre cinema, I want to try to come up with movies that are unexpected” says director Ted Geoghegan. His sophomore […]
“…it’s not like a kiss, it is a cut”: Director Q on Garbage and his Return to “Pedestrian Filmmaking”
The ebb and flow of his own personal filmmaking journey was not far from Q’s mind as he arrived at the 68th Berlinale […]
“A pretty robust to a financially dying business”: Producer Travis Stevens on Genre, Independent Film and 68 Kill
“With every decision you are making as a storyteller it’s to communicate something” says independent film producer Travis Stevens. The founder and CEO […]
Faith in the ‘Movie Angels’: Director Domenica Cameron-Scorsese on Almost Paris
Directing her first full-length theatrical production, Caryl Churchill’s A Number (2002) whilst she was in postproduction on her feature film debut Almost Paris […]
Exploring the Psychic Prison: Matthew Metcalfe on Understanding the World of The Free Man
Olympic freestyle skier Jossi Wells and extreme sports performance artists The Flying Frenchies take us on a journey into the void. For writer-producer […]
“Horror is as close to naturalism as I get”: Nicolas Pesce on The Eyes of My Mother
Nicolas Pesce’s directorial feature debut The Eyes of My Mother (2016) is a visually striking film. The monochrome shades mirror the dark story […]
Politicised by Seismic Shifts: Anna Sandilands and Ewan McNicol on Uncertain
The relationship between man and nature is a less than an harmonious relationship, the future desired by man in conflict with the course […]
Nihilistic Vengeance With an Upside: Sean Brosnan on his Directorial Feature Debut My Father Die
Shots of an Alligator open Sean Brosnan’s feature directorial debut My Father Die (2016). The rage associated with the predatory reptile is fitting […]
“You have got some balls to make this”: Gary Stretch on the Brave Vision of My Father Die
Shots of an Alligator open Sean Brosnan’s feature directorial debut My Father Die (2016). The rage associated with the predatory reptile is fitting for a […]